影子已先行離去

電影《La Haine》 裡面有這麼一個故事:有人從一棟摩天大樓上掉下來,剎那永恆,下墮的瞬間變成何其漫長,那人幾乎失重,跌落每一層樓都跟自己說:「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」他無疑跟在飛一樣!自由未受阻礙,速度幾乎歡快。

於是我們該會明白,憬觀像同疊(The Offset: Spectacles)那嗡嗡隆隆的drone和各種刺激耳根的analogue音效,沒有掩藏某種不可言語的切膚之痛,有些甚麼被打開了,如像皮肉割破暴露於塵染的空氣,骨肉包裹不住的內藏,膊動、炙手可熱;那些如像出自精神分裂者手筆的歌詞,說的多像每個流離於城市與城市外圜的疲倦身體會生出的欲望、其壓抑與譫妄,卻以近似古詩的音調節奏、南方的口音跌宕吟唱,想說的很可能還是這「無言語」之感,城市生活讓所有人說不出所以;沒有了鼓聲煽動,「或缺」卻以幽靈節奏的方式臨在某個由記憶或妄念引申的空間,撞擊蒼白的當下,如像浪人與流徙者會指著此地一個惡俗之物認作不曾存在的故鄉。因及這無可預計的急速流動,錯置與毀壞,一個身體可以取締一個身體,取締可以取締一切‧‧‧‧‧‧憬觀像同疊那份無何抗拒的「時代感」,正正源自一種普遍的生存狀態,盛世如今,「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」

問題是,我們要怎麼著地?

 

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試聽/下載/訂購 The Offset: Spectacles LP

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3 則留言 21 Jan, 12

書抄 #11

i remember in Mike Hodges’ Croupier there were lines like these on the voice over, “gambling is not about money,” the croupier who dyed his hair black for his work coldly, and almost wearily explains, (to his unconvinced fiancée, who was killed later in the film, and to his audience, very probably including he himself) “…it’s about the outright denial of the odds of life…” The croupier in the film, is also a writer striving for his first publication, he contemplates and takes on the tone of the subjects he is writing about, the gamblers themselves, “He wants to fuck over the whole world – to ruin himself and everyone else…” Strictly observing his professionalism throughout the whole film we, of course, never did once see him gamble… with money; instead he, should i say, rather accidentally, puts every thing other than money at stake.

The croupier, played (methodologically) by Clive Owen, is named Jack. At one point he muses, “In life there is a choice: be a gambler or a croupier.” The haunting voice goes on, “…I was hooked on watching punters lose.” Oh Jack, how does it feel when you call “Black Jack,” or a “Zero,” winningly devoid of affection in your voice? But Jack! Whose life? And, which life?

The croupier Jack wrote about in his book, is simply named Jake.

It is not  altogether difficult to expect reluctance on the part of Jack’s fiancée, to condone that Jake in the book, she was almost nauseating on the spot, horrified and heatedly she told Jack that she doesn’t like the book. On demand of an explanation, she says, “…there is no hope in it.”

And yes, there should be a young woman like Kate Hardie, who appears as Bela in the film… or a Sonya Marmeladov, or Anna Snitkina; they share that some thing i simply envy, and adore.

Porcelain. Ed. D Alexandrovna. Exist Random, 1999. p4-6

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留言 16 Sep, 11

轉貼:陳雲@香港地產政治研討會

至於今年財政預算案那些垃圾政策建議,例如注入六千元去強積金,等於在交通津貼設立家庭資產審查一樣,等於往年設立老人津貼的資產審查和外傭徵費的合約安排一樣,等於這幾年的申辦亞運的鬧劇一樣,都是政府的「屏障議題」、稻草人議題(strawman agenda),預先植入(build-in)一些無關痛癢的話題,預留退讓的空間,消耗傳媒和議員的時間,令議員可以罵娘扔蕉扔水樽丟陰司紙,領受為民請命、「成功爭取」的虛榮,令政府可以不必做事,卻隱藏了更險惡的議程。

──陳雲,〈財政獨裁的政府黨〉,《明報》,2011年2月27日。

相關:

反對壟斷 對抗複製 (陳雲,《九評地產黨》序言)

陳雲的 propaganda(W.Wong , 「魚之樂」)

解毒中文 替天行道: 與陳雲對話(梁文道, 《讀書好》18期, 2009年2月)

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留言 02 Mar, 11

意向與能量


前天去蕭公子的家,他給我看這個錄象的選段,我回家試試看,弄歪了我平常怎也弄不歪的不鏽鋼匙羹。正如Jack Houck 所說,重點不在於弄歪匙羹。片末的種子實驗,儼然啟示。

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留言 10 Jan, 11

痛苦是一種癮症

最近智海借了Eckhart Tolle 的 The Power of Now 給我看,沒有太早沒有太遲,我覺得很好的一本書,是一個受夠了痛苦,也明瞭痛苦的人才會有的智慧,但那智慧不屬於他的,所有人本來就有: 我們是孕育在一種極大的溫柔與接納裡面,只是沒有覺到。

相關:

Burt Harding: The only thing that works

What is My Responsibility?

You are the very LOVE you seek!

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6 則留言 21 Dec, 10

梵,或不能描述的原理


我把4 月在南方澳拍的照片做了個slide show,配上了Kishori Amonkar 的「Jane aj mee ajar」,歌詞取自Maharashtra 聖哲Dnyaneshwar(1275–1296)以馬拉地語(Marathi)所寫的Dnyaneshwari,是對印度教經傳薄伽梵歌(Bhagavad Gītā18 章 55 節的注解/演繹。

我大概沒有在海邊想通甚麼的,只是身體細胞有65-90% 是水的話,在那無始無終的大水前面自然會有種感應。

V. V. Shirvaikar 的英譯如下。

Bhagavad Gītā Ch 18-55: “By devotion one truely understands what and who I am in essence. Having known Me in essence, one immediately merges into Me.”

He knows that when he awakens then all emotions he saw in the dream were not different from himself.

Smilarly he experiences that what appears to be existing and not existing is all himself the knower.

He knows that I am the birthless, ageless, inexhaustible, indestructible, without past and of unlimited blss.

He also knows that I am also imovable, not liable to fall down, infinite, incomparable, root of everything, formless as well as with form.

The bender of the ruling powers as well as the ruler, without begining, indestructible, fearless, support of as well as the supporteed objects.

He also knows that I am the master of everything, and am ever, natura, unceasing, everything and in everything and beyond all.

That which is most recent and also oldest, with form of nil and yet complete, biggest and tiniest, is all me.

That which is actionless, companionless and without sorrow is also me.

All things are in Me and I am in all things.

Thus I am the Superior Person.

I am without words, without ears, form or lineage.

I am the uniform and independent, Brahman the ultimate.

Thus by becoming one with Me he knows me through his incomparable devotion and also realizes that this knowledge is also Me.

He knows that I am the birthless, ageless, inexhaustible, indestructible, without past and of unlimited blss.

相關:Dnyaneshwari 英譯(Dr Ravin Thatte)

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6 則留言 27 Nov, 10

菜園村關注組、菜園村支援組、菜園村巡守隊聯合呼籲:1119守護村民行動


今年一月,由保皇功能組別把持的立法會夾硬通過廣深港高鐵669億撥款,整條石崗菜園村將被夷平。政府至今都沒有做好安置和賠償工作:五十戶村民參與的重建家園計劃舉步維艱、農作物超低賠償令農民失去生計、廠戶血本無歸、租戶安置失當。但是,政府不打算正面協助村民渡過難關,反而自十一月四日起,每兩星期大舉入村清場逼遷一次,還不時偷偷突擊收地毀田,要以武力把村民解決掉。

十一月十九日﹝星期五﹞,收地行動又來了,多個農戶、租戶和廠戶可能被武力清場。菜園村關注組、支援組和巡守隊要求政府停止清場行動,並呼籲市民當日入村,共同守護村民,迫令政府正視村民的需要。

菜園村巡守隊自十一月四日起肩負起守護村民的任務,每日巡村。在十一月十九日,巡守隊呼籲支援者於早上八時在菜園村生活館集合。巡守隊組織者由當日早上七點半起,會在菜園村生活館接待市民並安排工作,包括按組織的安排監察政府人員、以影像和文字記錄,或在指定地點守衛等等。我們在此向政府表明,清拆必須在雙方滿意的情況下進行,絕不接受強拆強遷。

支援者仗義襄助,菜園村村民銘感於心,但村民也擔心支援者安全,不希望有朋友因清場受傷,故我們亦呼籲大家恪守非暴力抗爭原則,避免衝撞。

十一月十九日不會是菜園村最後一次清場,預料政府接下來的行動將會更頻密,務要把村民壓倒為止。我們需要更多支援者加入,守護村民,直至所有人平安離開。

菜園村關注組、菜園村支援組、菜園村巡守隊 (二零一零年十一月十七日)

十一月十九日護村行動重點
集合地點:石崗菜園村村口生活館(錦上路西鐵站乘的士前往)
集合時間:上午八時
熱線電話:63546576
●支援者到場後先到菜園村生活館登記,可以選擇按組織安排加入各工作小組
●組織安排的工作包括監察政府人員行事、記錄過程、在指定指點守衛等
●清拆必須在雙方滿意的情況下進行,絕不接受強拆強遷
●菜園村關注組、菜園村支援組、菜園村巡守隊恪守非暴力抗爭原則
●獨立支援者若打算自行組織行動,請先聯絡63546576

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2 則留言 18 Nov, 10

Quotes: Paul Auster/ Paul Benjamin

“…I’ve always been fascinated by the imbalance between the physical author of a book, the individual who puts his name onto the cover, and the authentic author who I am not certain is the same person. Take War and Peace, for example. On the cover it says, ‘Leo Tolstoy.’ You open the book on the first page, and somebody starts speaking to you. Is this Tolstoy real? No, it is the one that can be perceived as the narrative voice of Tolstoy. One that is very different from the man called Tolstoy. The stories, it seems to me, are written by a certain place in our interior which is unknown and inaccessible to us. This is the reason why the biography of the writer and his work are never in accordance. A biographical study will never tell you where exactly the work came from.”

— The Compass with the Flickering Rhythm – An Interview with Paul Auster (“Entrevista a Paul Auster: Al Compás de un Ritmo Pendular” por Santiago del Rey. Quimera 109, May 1992, pp.22-27. Trans. Carl-Carsten Springer and Ira Plaschke)

相關:

Interview w. Paul Auster 2002

Interview w. Paul Auster 1997

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留言 05 Nov, 10

Burt Harding: the only thing that works

You are a human being. The human part of you is a seeker. Seeking eventually leads to frustration, confusion and failure of finding the truth. We reach a point when seeking just stops. It is at this point that we start discovering BEING! It is through the human seeking that we finally find what doesn’t work. Embrace your humanity. Through this allowing and surrender of humanity we find what we have always been…BEING ITSELF!! It is through separation that we find Oneness!

Emotional feeling is Energy-Motion (emotion) brought about by thought. Any thought believed to be real acts on the body as sensation.

相關:

Guilt is Memory – Not Now!

Fear of Loving Who You are

Dealing with Fear *

How Do I Accept Myself?

We Want to Make Things Real!

(Bonus: ) Accept Yourself

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5 則留言 24 Oct, 10

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