《房間》再版:活動記錄(2017)

1.「閱讀《房間》:書寫與診療─李智良 x 房慧真 對談」
日期:2017 年2 月10 日
時間:19:00 – 21:00
地點:金石堂城中店(台北)

視像記錄:見Kubrick FB 專頁

2.「漫談《道旁兒》與《房間》」
日期: 2017年 2月 12日
時間: 19:00-20:45
地點: 台北書展世貿一館

視像記錄:見Kubrick FB 專頁

3.「無聲者音境—《房間》朗讀音樂會」
日期:2017 年4 月29 日
時間:19:30 – 20:30
地點:Café+ kubrick

視像記錄:見Kubrick FB 專頁

4.「少數的皺褶,書寫的政治 ── 今日讀《房間》」
日期:2017 年6 月3 日
時間:19:00 – 21:00
地點:香港文學生活館

視像記錄:見Kubrick FB 專頁

被排斥者的書寫政治 — 「少數的皺褶,書寫的政治 ● 今日讀《房間》」座談紀錄
文/李卓謙

5.「幸福不過虛構——童偉格 x 李智良對談」
日期:2017 年7 月9 日
時間:17:00-18:30
地點:誠品銅鑼灣店

視像記錄:見香港文學生活館FB 專頁

寫作即僭越:「幸福不過虛構:童偉格 X 李智良」座談紀錄
文/李卓謙

失去故鄉的代言者:記「幸福不過虛構 — 童偉格 x 李智良對談」
文/賴崇欣

【文青集結號】 童偉格X李智良對談 有沒有理想的寫作狀態?
文/蔡育衡

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3 則留言 15 Aug, 17

lonely soul

我們是靈魂,不是肉身囚禁。不是物質文明的配置。
孤獨會幫助我們識辨,傾向更大的連結。沒有試探、沒有隕落。

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留言 26 Jul, 13

Hare Krishna – Jagjit Singh Bhajan Concert

Hare Krishna Bhajan Concert – Jagjit Singh Bhajan Concert
_________________

01 – Hey Gobind Hey Gopal
02 – Hari Tum Haro Jan Ki Peed
03 – Tum Meri Rakho Laaj Hari
04 – Deenan Dukh Haran Dev
05 – Sabse Oonchi Prem Sagai
06 – Jai Radha Madhav
07 – Murli Manohar Gopala

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4 則留言 30 Mar, 13

影子已先行離去

電影《La Haine》 裡面有這麼一個故事:有人從一棟摩天大樓上掉下來,剎那永恆,下墮的瞬間變成何其漫長,那人幾乎失重,跌落每一層樓都跟自己說:「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」他無疑跟在飛一樣!自由未受阻礙,速度幾乎歡快。

於是我們該會明白,憬觀像同疊(The Offset: Spectacles)那嗡嗡隆隆的drone和各種刺激耳根的analogue音效,沒有掩藏某種不可言語的切膚之痛,有些甚麼被打開了,如像皮肉割破暴露於塵染的空氣,骨肉包裹不住的內藏,膊動、炙手可熱;那些如像出自精神分裂者手筆的歌詞,說的多像每個流離於城市與城市外圜的疲倦身體會生出的欲望、其壓抑與譫妄,卻以近似古詩的音調節奏、南方的口音跌宕吟唱,想說的很可能還是這「無言語」之感,城市生活讓所有人說不出所以;沒有了鼓聲煽動,「或缺」卻以幽靈節奏的方式臨在某個由記憶或妄念引申的空間,撞擊蒼白的當下,如像浪人與流徙者會指著此地一個惡俗之物認作不曾存在的故鄉。因及這無可預計的急速流動,錯置與毀壞,一個身體可以取締一個身體,取締可以取締一切‧‧‧‧‧‧憬觀像同疊那份無何抗拒的「時代感」,正正源自一種普遍的生存狀態,盛世如今,「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」

問題是,我們要怎麼著地?

 

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試聽/下載/訂購 The Offset: Spectacles LP

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3 則留言 21 Jan, 12

書抄 #11

i remember in Mike Hodges’ Croupier there were lines like these on the voice over, “gambling is not about money,” the croupier who dyed his hair black for his work coldly, and almost wearily explains, (to his unconvinced fiancée, who was killed later in the film, and to his audience, very probably including he himself) “…it’s about the outright denial of the odds of life…” The croupier in the film, is also a writer striving for his first publication, he contemplates and takes on the tone of the subjects he is writing about, the gamblers themselves, “He wants to fuck over the whole world – to ruin himself and everyone else…” Strictly observing his professionalism throughout the whole film we, of course, never did once see him gamble… with money; instead he, should i say, rather accidentally, puts every thing other than money at stake.

The croupier, played (methodologically) by Clive Owen, is named Jack. At one point he muses, “In life there is a choice: be a gambler or a croupier.” The haunting voice goes on, “…I was hooked on watching punters lose.” Oh Jack, how does it feel when you call “Black Jack,” or a “Zero,” winningly devoid of affection in your voice? But Jack! Whose life? And, which life?

The croupier Jack wrote about in his book, is simply named Jake.

It is not  altogether difficult to expect reluctance on the part of Jack’s fiancée, to condone that Jake in the book, she was almost nauseating on the spot, horrified and heatedly she told Jack that she doesn’t like the book. On demand of an explanation, she says, “…there is no hope in it.”

And yes, there should be a young woman like Kate Hardie, who appears as Bela in the film… or a Sonya Marmeladov, or Anna Snitkina; they share that some thing i simply envy, and adore.

Porcelain. Ed. D Alexandrovna. Exist Random, 1999. p4-6

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留言 16 Sep, 11

轉貼:陳雲@香港地產政治研討會

至於今年財政預算案那些垃圾政策建議,例如注入六千元去強積金,等於在交通津貼設立家庭資產審查一樣,等於往年設立老人津貼的資產審查和外傭徵費的合約安排一樣,等於這幾年的申辦亞運的鬧劇一樣,都是政府的「屏障議題」、稻草人議題(strawman agenda),預先植入(build-in)一些無關痛癢的話題,預留退讓的空間,消耗傳媒和議員的時間,令議員可以罵娘扔蕉扔水樽丟陰司紙,領受為民請命、「成功爭取」的虛榮,令政府可以不必做事,卻隱藏了更險惡的議程。

──陳雲,〈財政獨裁的政府黨〉,《明報》,2011年2月27日。

相關:

反對壟斷 對抗複製 (陳雲,《九評地產黨》序言)

陳雲的 propaganda(W.Wong , 「魚之樂」)

解毒中文 替天行道: 與陳雲對話(梁文道, 《讀書好》18期, 2009年2月)

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留言 02 Mar, 11

意向與能量


前天去蕭公子的家,他給我看這個錄象的選段,我回家試試看,弄歪了我平常怎也弄不歪的不鏽鋼匙羹。正如Jack Houck 所說,重點不在於弄歪匙羹。片末的種子實驗,儼然啟示。

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留言 10 Jan, 11

痛苦是一種癮症

最近智海借了Eckhart Tolle 的 The Power of Now 給我看,沒有太早沒有太遲,我覺得很好的一本書,是一個受夠了痛苦,也明瞭痛苦的人才會有的智慧,但那智慧不屬於他的,所有人本來就有: 我們是孕育在一種極大的溫柔與接納裡面,只是沒有覺到。

相關:

Burt Harding: The only thing that works

What is My Responsibility?

You are the very LOVE you seek!

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6 則留言 21 Dec, 10

梵,或不能描述的原理


我把4 月在南方澳拍的照片做了個slide show,配上了Kishori Amonkar 的「Jane aj mee ajar」,歌詞取自Maharashtra 聖哲Dnyaneshwar(1275–1296)以馬拉地語(Marathi)所寫的Dnyaneshwari,是對印度教經傳薄伽梵歌(Bhagavad Gītā18 章 55 節的注解/演繹。

我大概沒有在海邊想通甚麼的,只是身體細胞有65-90% 是水的話,在那無始無終的大水前面自然會有種感應。

V. V. Shirvaikar 的英譯如下。

Bhagavad Gītā Ch 18-55: “By devotion one truely understands what and who I am in essence. Having known Me in essence, one immediately merges into Me.”

He knows that when he awakens then all emotions he saw in the dream were not different from himself.

Smilarly he experiences that what appears to be existing and not existing is all himself the knower.

He knows that I am the birthless, ageless, inexhaustible, indestructible, without past and of unlimited blss.

He also knows that I am also imovable, not liable to fall down, infinite, incomparable, root of everything, formless as well as with form.

The bender of the ruling powers as well as the ruler, without begining, indestructible, fearless, support of as well as the supporteed objects.

He also knows that I am the master of everything, and am ever, natura, unceasing, everything and in everything and beyond all.

That which is most recent and also oldest, with form of nil and yet complete, biggest and tiniest, is all me.

That which is actionless, companionless and without sorrow is also me.

All things are in Me and I am in all things.

Thus I am the Superior Person.

I am without words, without ears, form or lineage.

I am the uniform and independent, Brahman the ultimate.

Thus by becoming one with Me he knows me through his incomparable devotion and also realizes that this knowledge is also Me.

He knows that I am the birthless, ageless, inexhaustible, indestructible, without past and of unlimited blss.

相關:Dnyaneshwari 英譯(Dr Ravin Thatte)

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6 則留言 27 Nov, 10

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