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	<title>處决1938！ &#187; 映音材料*</title>
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		<title>影子已先行離去</title>
		<link>http://oblivion1938.com/archives/1929</link>
		<comments>http://oblivion1938.com/archives/1929#comments</comments>
		<pubDate>Sat, 21 Jan 2012 11:59:52 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[異議與同謀]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1929</guid>
		<description><![CDATA[電影《La Haine》 裡面有這麼一個故事：有人從一棟摩天大樓上掉下來，剎那永恆，下墮的瞬間變成何其漫長，那人幾乎失重，跌落每一層樓都跟自己說：「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」他無疑跟在飛一樣！自由未受阻礙，速度幾乎歡快。 於是我們該會明白，憬觀像同疊（The Offset: Spectacles）那嗡嗡隆隆的drone和各種刺激耳根的analogue音效，沒有掩藏某種不可言語的切膚之痛，有些甚麼被打開了，如像皮肉割破暴露於塵染的空氣，骨肉包裹不住的內藏，膊動、炙手可熱；那些如像出自精神分裂者手筆的歌詞，說的多像每個流離於城市與城市外圜的疲倦身體會生出的欲望、其壓抑與譫妄，卻以近似古詩的音調節奏、南方的口音跌宕吟唱，想說的很可能還是這「無言語」之感，城市生活讓所有人說不出所以；沒有了鼓聲煽動，「或缺」卻以幽靈節奏的方式臨在某個由記憶或妄念引申的空間，撞擊蒼白的當下，如像浪人與流徙者會指著此地一個惡俗之物認作不曾存在的故鄉。因及這無可預計的急速流動，錯置與毀壞，一個身體可以取締一個身體，取締可以取締一切‧‧‧‧‧‧憬觀像同疊那份無何抗拒的「時代感」，正正源自一種普遍的生存狀態，盛世如今，「到目前為止都很好‧‧‧‧‧‧到目前為止都很好‧‧‧‧‧‧」 問題是，我們要怎麼著地? 試聽／下載／訂購 The Offset: Spectacles LP]]></description>
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		</item>
		<item>
		<title>書抄 #11</title>
		<link>http://oblivion1938.com/archives/1888</link>
		<comments>http://oblivion1938.com/archives/1888#comments</comments>
		<pubDate>Thu, 15 Sep 2011 19:21:47 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[qoutes]]></category>
		<category><![CDATA[readership]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1888</guid>
		<description><![CDATA[i remember in Mike Hodges&#8217; Croupier there were lines like these on the voice over, &#8220;gambling is not about money,&#8221; the croupier who dyed his hair black for his work coldly, and almost wearily explains, (to his unconvinced fiancée, who was killed later in the film, and to his audience, very probably including he himself) &#8220;&#8230;it&#8217;s [...]]]></description>
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		</item>
		<item>
		<title>轉貼：陳雲@香港地產政治研討會</title>
		<link>http://oblivion1938.com/archives/1571</link>
		<comments>http://oblivion1938.com/archives/1571#comments</comments>
		<pubDate>Wed, 02 Mar 2011 12:20:27 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[異議與同謀]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[governance]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[place-specific]]></category>
		<category><![CDATA[politics of rhetoric]]></category>
		<category><![CDATA[qoutes]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1571</guid>
		<description><![CDATA[至於今年財政預算案那些垃圾政策建議，例如注入六千元去強積金，等於在交通津貼設立家庭資產審查一樣，等於往年設立老人津貼的資產審查和外傭徵費的合約安排一樣，等於這幾年的申辦亞運的鬧劇一樣，都是政府的「屏障議題」、稻草人議題（strawman agenda），預先植入（build-in）一些無關痛癢的話題，預留退讓的空間，消耗傳媒和議員的時間，令議員可以罵娘扔蕉扔水樽丟陰司紙，領受為民請命、「成功爭取」的虛榮，令政府可以不必做事，卻隱藏了更險惡的議程。 ──陳雲，〈財政獨裁的政府黨〉，《明報》，2011年2月27日。 相關： 反對壟斷 對抗複製 （陳雲，《九評地產黨》序言） 陳雲的 propaganda（W.Wong , 「魚之樂」） 解毒中文 替天行道:　與陳雲對話（梁文道, 《讀書好》18期, 2009年2月）]]></description>
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		</item>
		<item>
		<title>意向與能量</title>
		<link>http://oblivion1938.com/archives/1522</link>
		<comments>http://oblivion1938.com/archives/1522#comments</comments>
		<pubDate>Mon, 10 Jan 2011 11:43:05 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[國家的身體]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[psychokineisis]]></category>
		<category><![CDATA[spirituality & wisdom]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1522</guid>
		<description><![CDATA[前天去蕭公子的家，他給我看這個錄象的選段，我回家試試看，弄歪了我平常怎也弄不歪的不鏽鋼匙羹。正如Jack Houck 所說，重點不在於弄歪匙羹。片末的種子實驗，儼然啟示。]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>痛苦是一種癮症</title>
		<link>http://oblivion1938.com/archives/1500</link>
		<comments>http://oblivion1938.com/archives/1500#comments</comments>
		<pubDate>Tue, 21 Dec 2010 12:11:26 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[反精神科]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[quantum physics]]></category>
		<category><![CDATA[spirituality & wisdom]]></category>
		<category><![CDATA[subjectivity]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1500</guid>
		<description><![CDATA[最近智海借了Eckhart Tolle 的 The Power of Now 給我看，沒有太早沒有太遲，我覺得很好的一本書，是一個受夠了痛苦，也明瞭痛苦的人才會有的智慧，但那智慧不屬於他的，所有人本來就有: 我們是孕育在一種極大的溫柔與接納裡面，只是沒有覺到。 相關： Burt Harding: The only thing that works What is My Responsibility? You are the very LOVE you seek!]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>梵，或不能描述的原理</title>
		<link>http://oblivion1938.com/archives/1461</link>
		<comments>http://oblivion1938.com/archives/1461#comments</comments>
		<pubDate>Sat, 27 Nov 2010 17:55:17 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[pictorial]]></category>
		<category><![CDATA[place-specific]]></category>
		<category><![CDATA[spirituality & wisdom]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1461</guid>
		<description><![CDATA[我把4 月在南方澳拍的照片做了個slide show，配上了Kishori Amonkar 的「Jane aj mee ajar」，歌詞取自Maharashtra 聖哲Dnyaneshwar（1275–1296）以馬拉地語（Marathi）所寫的Dnyaneshwari，是對印度教經傳薄伽梵歌（Bhagavad Gītā ）18 章 55 節的注解／演繹。 我大概沒有在海邊想通甚麼的，只是身體細胞有65-90% 是水的話，在那無始無終的大水前面自然會有種感應。 V. V. Shirvaikar 的英譯如下。 Bhagavad Gītā Ch 18-55: &#8220;By devotion one truely understands what and who I am in essence. Having known Me in essence, one immediately merges into Me.&#8221; He knows that when he awakens then all emotions he [...]]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Quotes: Paul Auster/ Paul Benjamin</title>
		<link>http://oblivion1938.com/archives/1431</link>
		<comments>http://oblivion1938.com/archives/1431#comments</comments>
		<pubDate>Fri, 05 Nov 2010 12:53:00 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[cross-post]]></category>
		<category><![CDATA[politics of writing]]></category>
		<category><![CDATA[qoutes]]></category>
		<category><![CDATA[subjectivity]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1431</guid>
		<description><![CDATA[&#8220;&#8230;I&#8217;ve always been fascinated by the imbalance between the physical author of a book, the individual who puts his name onto the cover, and the authentic author who I am not certain is the same person. Take War and Peace, for example. On the cover it says, &#8216;Leo Tolstoy.&#8217; You open the book on the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Burt Harding: the only thing that works</title>
		<link>http://oblivion1938.com/archives/1416</link>
		<comments>http://oblivion1938.com/archives/1416#comments</comments>
		<pubDate>Sun, 24 Oct 2010 09:55:20 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[反精神科]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[cross-post]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[subjectivity]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1416</guid>
		<description><![CDATA[You are a human being. The human part of you is a seeker. Seeking eventually leads to frustration, confusion and failure of finding the truth. We reach a point when seeking just stops. It is at this point that we start discovering BEING! It is through the human seeking that we finally find what doesn&#8217;t [...]]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Derrida on memory &amp; ghosts</title>
		<link>http://oblivion1938.com/archives/1385</link>
		<comments>http://oblivion1938.com/archives/1385#comments</comments>
		<pubDate>Fri, 10 Sep 2010 04:57:11 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[material pre-text]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[subjectivity]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1385</guid>
		<description><![CDATA[Ken McMullen, Ghost Dance (1983) Derrida describes an &#8216;unnatural&#8217; ghostly haunting whereby the dead are taken into us, but they are not internalized as they would be under more &#8216;normal&#8217; circumstances (a psychoanalytic view of mourning) &#8211; he labels this as &#8216;terrifying.&#8217; Derrida recounts his 1982 arrest in Czechoslavakia on trumped-up drug charges &#8230; see [...]]]></description>
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		</item>
		<item>
		<title>要說大慨只能這麼說</title>
		<link>http://oblivion1938.com/archives/1357</link>
		<comments>http://oblivion1938.com/archives/1357#comments</comments>
		<pubDate>Sat, 14 Aug 2010 17:35:26 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[反精神科]]></category>
		<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[addiction]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[politics of rhetoric]]></category>
		<category><![CDATA[politics of writing]]></category>
		<category><![CDATA[subjectivity]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1357</guid>
		<description><![CDATA[第二節 第三節 相關：黃凌鋒自殺事件 （OurTV.hk 「哲人道」第十六、十七集　－共12節）]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>－</title>
		<link>http://oblivion1938.com/archives/1265</link>
		<comments>http://oblivion1938.com/archives/1265#comments</comments>
		<pubDate>Sat, 29 May 2010 18:20:37 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[寫作的失語]]></category>
		<category><![CDATA[映音材料*]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1265</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Screaming for Ice-cream</title>
		<link>http://oblivion1938.com/archives/1250</link>
		<comments>http://oblivion1938.com/archives/1250#comments</comments>
		<pubDate>Fri, 14 May 2010 10:39:00 +0000</pubDate>
		<dc:creator>© 李智良</dc:creator>
				<category><![CDATA[映音材料*]]></category>
		<category><![CDATA[異議與同謀]]></category>
		<category><![CDATA[A/V]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[psychogeography]]></category>
		<category><![CDATA[voice]]></category>
		<category><![CDATA[身體]]></category>

		<guid isPermaLink="false">http://oblivion1938.com/?p=1250</guid>
		<description><![CDATA[這是一個怎樣的時刻？ 你猜是獄卒害怕囚人，還是囚人害怕獄卒呢？ 有人真要在每天的伙食中，加進冰淇淋做飯後甜品嗎？ 顯然是沒有的，但在各自的囚室裡，沒見過面的人一起大聲呼喊「我們都要冰淇淋！」創造了甚麼？穿越了甚麼？把甚麼變成顯露？於是有了集體，於是有了一把任何人都沒能力發出的聲音。]]></description>
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